Eos C80
Capture pro-quality video formats including Cinema RAW Light which offers 12-bit sampling with a 6000 x 3164 resolution and a maximum 639Mbps at 30p.
When recording in XF-AVC the EOS C80 captures H.264/AVC intra-frame at 4:2:2 10-bit with a maximum resolution of 4096 x 2160 at 600Mbps in 60p.

  • Next-generation 6K full-frame RF mount cinema camera
  • Stacked sensor with 16 stops DR and fast readout speeds
  • Builds on the C70 while inheriting from the C400
GH7 (Panasonic) 

  • 13+ stops dynamic range when shooting in V-Log
  • Improved Autofocus with Phase Detection Autofocus (PDAF)
  • Apple ProRes RAW internal recording with 5.7K 30p ProRes 422 HQ and ProRes RAW HQ
  • Open Gate recording
  • Burst shooting at up to 75fps in electronic shutter mode
  • World’s first 32-bit float recording via optional DMW-XLR2 microphone adapter and an XLR microphone
  • Up to 7.5 stops combined stabilisation with B.I.S. 
  • Enhanced Real Time LUT feature with LUT import, editing, and sharing
  • Proxy recording via built-in Camera to Cloud integration with Adobe’s frame.io
  • Efficient cooling system with unlimited video recording
  • Free angle monitor that is interference-free from HDMI or USB cables when tilted
  • ARRI LogC3 license key available for the GH7 to use a certified ARRI LogC3 curve

H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW

C400 (Canon cine system)

  • Full-frame 6K BSI sensor with open gate 6K recording
  • 16 stops dynamic range
  • Versatile system for handholding, gimbals, shoulder-mounted, and professional drone rigs
  • Canon Log 2, Log 3, and RAW shooting
  • Dual Pixel CMOS AF II with evolved EOS iTR AF X
  • Cutting-edge functionality and improved ergonomics
  • CFexpress (Type B) and UHS-II SD card slot
  • New MP4 variant file type as well as support for Cinema RAW Light
  • Supports next-generation optics with the powerful RF mount
  • Supports PL mount lenses 
  • New Manual and Auto Base ISO modes
Z6 III
 
  • 4K UHD/60p oversampled from 6K
  • 6K RAW in-camera
Recent 6K cine camera systems. 

Fujifilm X-M5

  • 13+ stops dynamic range when shooting in V-Log
  • 6.2K/30p movies in-camera, along with 4K/60p and ultra high-speed 240p 1080 Full HD for slow motion effects.
  • F-Log2 provides an increased 13+ stops of dynamic range (up 1-stop)
  • continuous recording time of 90 minutes (25ºC) and 60 minutes when capturing 4K/60p.
  • 6.2K/30p | 4K/60p | 4:2:2 10-bit | FLOG2 | 350MPS | 1080p Vertical video

Blackmagic PYXIS 6K:

  • 12-bit Blackmagic RAW and H.264 proxy files simultaneously, making it ideal for a variety of productions.
  • The compact body is made from lightweight yet strong aerospace aluminum and can be easily mounted on a range of camera rigs.
  • With its large full frame sensor, dual native ISO up to 25,600, and 13 stops of dynamic range, the Blackmagic PYXIS produces stunning images in any lighting condition.
  • various film formats and aspect ratios, including a unique open gate 3:2 image.